Both seem liked hurried pieces to meet publisher deadlines, albeit always with wry observations, a rewarding twist, and an implicit and challenging moral. The Pale Horse and Appointment with Death are not great Agatha Christie pieces, alas. Unless you think the description of a character as having “basilisk’s eyes” in the key scene of confrontation with Mrs Boynton merits a mention that is, after all, the fantastic beast Harry must defeat to rescue Ginny-not-yet-known-as-Ginevra in Chamber of Secrets… By no means is this yet a story-about-stories as we get them in Rowling-Galbraith, if the jokes made about detective fiction merit more than a knowing smile from the reader.Īnd, last, beyond Ginny-Ginevra and the wicked Mrs Boynton’s resemblance to Dolores Umbridge, both excellent catches made by Dolores Gordon-Smith (she read Appointment because she saw it on Rowling’s bookshelf in a Goblet of Fire publicity shot!), there no great Potter or Strike echoes to be found in this novel. There are biblical passages quoted at length in Appointment and Shakespeare references playful and subtle, but we’re seeing the transformation of Christie from one kind of writer to another.

If you read Christie’s earlier mysteries - and I’ve just finished Murder at the Vicarage (1930), her eleventh novel and first Miss Marple story - you find that they don’t feature the intertextual depth or number of literary allusions that the so-called ‘mature’ works written after the war do.

Then there are the references to Shakespeare’s Hamlet throughout the novel. The twists on the Orient Express model are masterful and worth the price of admission - and suggest lines of reflection for the Cormoran Strike reader who is aware that Galbraith is largely echoing and writing commentary of sorts on Rowling’s Hogwarts Saga in ‘his’ parallel novel numbers. It is set-up largely as was Murder on the Orient Express (1934) to which several allusions are made Poirot is on vacation, stumbles upon a murder, is asked by the presiding gendarmes to solve the crime, and is confronted with a host of suspects all of whom have ample motive to do the deed, even to work together to kill the much-despised victim. I think there are a few reasons for a Rowling/Galbraith reader to pick it up beyond the fun of touching imaginatively the point of origin for Ginny Weasley.įirst, there is Hercule Poirot, the detective on the spot in this novel. I’m on something of an Agatha Christie binge this week (see my posted thoughts on the Queen of Mystery’s The Pale Horse for the ‘why’) and took up Appointment with Death (1938) yesterday to see if there was more to it than the red-haired youngest daughter named Ginevra but called Ginny.

Appointment with death